• The Art of Tim Noble & Sue Webster and a Great Review

    On the side of Jake Walks bar

    I am typing this from a NYC coffee shop–I just got in on Sunday, July 16 after a great time at Readercon, a literary conference that features writers of speculative fiction. I’ll stay here until the 3st, before going back to Colorado. Am here to meet with my artist and writer community and just recharge a bit. Also, there is a Readercon report from me over at Fantasy Matters. If you’ve never attended this wonderful writer conference, then I think my post will give you many reasons (or at least a few) on why you should give it a try.

    As for art news: check out the work of Tim Noble and Sue Webster at Weird Fiction Review. I saw their exhibit Turning the Seventh Corner last May in Berlin, and so was quite excited to finally write about their work.

    Also, Carrie Ann Baade and I found out that our Cute and Creepy catalogue got a very nice review by the Art Libraries Society of North America.

    And back to writerly matters: my interview with the one and only China Miéville will be published in Origin Magazine later this fall—probably the November issue. You’ll want to hear about the very cool project he’s been working on!

  • Creatures, Tender Morsels, & A Thousand Natural Shocks: The Interstitial Triumvirate

    If you are in NYC this week, then you still have time to catch Shane LaVanchers’ Creatures show at the Orchard Windows Gallery. You can get a little preview over at Weird Fiction Review. The show is a stunning array of a hybrid society caught in between–or perhaps created by– natural evolution and our unquenchable thirst for change and progress via technology.

    Also, my latest review of Margo Lanagan’s Tender Morsels is up at Fantasy Matters. It’s rare when a fantasy book full of magic refuses to stay in its proper place and burrows into the realm of the grotesque, but I think this slim novel does it.

    Last, but not least, I would like to bring your attention to A Thousand Natural Shocks, an interstitial production of dance and words created by fiction writer Kat Howard and choreographers Megan and Shannon Kurashige. I love productions that challenge genres and take us into the slipstream of word, image, and performance.